Non Traditional Hero Essays

  • A Scrutiny of Othello's Character as a Tragic Hero
  • Makings of a Tragic Hero
  • Importance of a Hero in Literature
  • Helen Keller: A True Hero
  • Tragic Hero in William Shakespeare´s Macbeth
  • Project Report on Hero Honda
  • Fitzgerald's The Great Gatsby and the Tragic Hero
  • Shakespeare's Macbeth as a Tragic Hero
  • Can Willy Loman Be Considered A Tragic Hero?
  • Marcus Brutus as a Tragic Hero
  • Essay on Achilles as the Hero of Homer’s Iliad
  • An Analysis of Oedipus and Aristotle's Definition of the Tragic Hero
  • Creon, the Tragic Hero
  • Oprah Winfrey is a Hero
  • Julius Caesar and the Tragic Hero
  • Oskar Schindler: A Hero Study
  • Characteristics of a Tragic Hero in Oedipus the King by Sophocles
  • Is Othello a Tragic Hero?
  • Walt Disney the American Hero
  • Jocasta as a Tragic Hero
  • Female Characters in ,, Hero of Our Time” by Lermontov
  • Beowulf: Epic Hero
  • Brutus the Tragic Hero
  • Creon: A Tragic Hero in Antigone
  • Oedipus, The Tragic Hero
  • Qualities of an Archetypal Hero
  • The Tragic Hero of Oedipus the King
  • It Doesn't Take a Cape or Superpowers to Be a Hero
  • Jesus: The Tragic Hero
  • Oedipus the King: A Tragic Hero
  • Beowulf - The Immortal Hero
  • Shakespeare - Tragic Heros
  • Does the Hero Decline in the Epic of Beowulf?
  • The Changing Concept of Hero
  • Creon Is a Tragic Hero
  • Oedipus the King: A Tragic Hero
  • Odysseus The Hero
  • William Penn American Hero
  • A Hero of Frankenstein by Mary Shelley
  • Muhammad Ali Is NOT a Hero
  • Jay Gatsby: A Tragic Hero
  • Macbeth: A Tragic Hero?
  • Macbeth as a Tragic Hero
  • John Proctor: A Tragic Hero
  • Liam Was Not a Hero, Story Excerpt
  • John Proctor: The Epitome of a Tragic Hero
  • Chris McCandless is NOT a Hero in the Book, Into the Wild by John Krakauer
  • No Heros in The Red Badge of Courage and A Farewell to Arms
  • Shakespeare's Macbeth as Tragic Hero
  • Oedipus: a Tragic Hero
  • The Great Hero Odysseus
  • The Hero in Camus’s the Stranger (the Outsider)
  • Why I Have No Hero
  • Achilles in The Illiad is not a Hero
  • Othello - The Tragic Hero
  • Marcus Brutus: The Tragic Hero in The Tragedy of Julius Caesar
  • Brutus is the Tragic Hero of Julius Caesar
  • My Hero
  • Victor Frankenstein: a Tragic Hero
  • John Gardner's Grendel as Hero?
  • Odysseus: A True Modern Hero
  • A Shakesperean Tragic Hero - Macbeth
  • Ozzie Freedman Portrayed as a Hero
  • Creon The Tragic Hero of Sophocles Antigone
  • Plight of the Code Hero in the Works of Ernest Hemingway
  • Moses and Campbell's Journey of a Spiritual Hero
  • A Code Hero in Hemingway's Books
  • Sundiata the Hero
  • Galileo Church v. Hero
  • Napoleon a Hero
  • Meursault - The Anti-Hero Protagonist
  • The Anti-Hero
  • Common Man as Tragic Hero in Death of a Salesman
  • Henry Ford, hero or villain
  • David Malouf's Hero in Ransom
  • Fallen Hero: Charles Lindbergh
  • Julius Caesar - Tragic Hero
  • The Double's Creation as a Necessary Anti-Hero
  • Odysseus - Far From a Hero
  • Odysseus as a Tragic Hero
  • No Such Thing as a Hero in the Novel, Heroes by Robert Cormier
  • Christopher Columbus: Villain or Hero?
  • Hobbit Essay; Bilbo Baggins, a Hero
  • Benedict Arnold: Traitor or Hero
  • A Patriotic Hero- The Contrast
  • Odysseus, A Hero
  • Hero Worship
  • Atticus as a Hero, in Harper Lee's To Kill a Mockingbird
  • Aristotle's Tragic Hero in Shakespeare's Macbeth
  • Oedipus the King: A Greek Tragic Hero
  • Comparison of Homer and Virgil’s Tragic Hero
  • Bilbo Baggins, a True Hero
  • Creon as the Hero of Sophocles' Antigone
  • What Makes a Hero

A Nontraditional Hero In Jonathan Swift's Gulliver's Travels

In Jonathan Swift's Gulliver's Travels, the narrator shows the reader meeting many different characters, from the tiny people to the talking horses. Gulliver reveals through his adventures what kind of a character he is. He is a likeable, amusing and interesting person, but he lacks what could be classified as a hero – in the traditional sense. Seeing him as a hero is difficult because he resembles an anti-hero more. In some ways, Gulliver is the only choice for a hero in the story. The story is told from Gulliver's perspective, which in turn makes him the most relatable character. Even though he is the driving force behind all the other characters, his character strays away from the usual nature of a hero. To further prove that he is an anti-hero, it is obvious that he is the opposite of the strong and confident ideal of a hero. He is less resourceful that most other typical heroes and is less admirable, which is evident in his attitude and the way he treats the human race. Another reason why Gulliver is an anti-hero is his tendency to act like a fool. More than a heroic figure, he more often tends to play a comic role.
Throughout the story, the readers and the other characters see him as bizarre rather than the noble character that a hero possesses. An example of this is when the troops marched under his legs and when the soldiers looked and saw his condition, they found an opportunity to make a fun of him. They clearly did not see him as a person of importance; rather they saw him as a person that they could make fun of. Also, in Brobdingnag, all of his surroundings are there to make him feel insignificant. In the midst of all the giants, he is an average sized human being and can't help but feeling like a toy because of his small size. When Gulliver meets up with the Queen, the visual of the two of them also has an effect on the readers, and this effect make Gulliver feel anything but heroic. This loss of self-confidence further leads him to his status as an anti-hero. While he was there, he was regularly the victim of practical jokes and tricks were frequently played on him. He is seen as a toy around everyone because of his small size, which results in them using him for enjoyment purposes. Gulliver himself noted that he is toyed with like a creature and they feel no sense of consequence regarding it. With him being treated this way, Gulliver seems to have a hard time even being acknowledged as a person, much rather a hero.
Another reason why Gulliver is an anti-hero is because of his lack of physical accomplishment. Even when he has a size advantage, he is regarded as someone without power. He gets tied up by those whom are noticeably smaller than him while he is asleep. In the beginning,...

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Civil Laws and Religious Authority in Jonathan Swift's Gulliver's Travels

1270 words - 5 pages Civil Laws and Religious Authority in Gulliver's Travels      In part one of Gulliver's Travels, Swift present readers with an inverted world, not only by transplanting Gulliver to a land that's only a twelfth the size (a literal microcosm), but also by placing him into a society with different ethical and civil laws.  Swift uses these inversions not only to entertain the readers imagination, but more importantly, to transform our...

English Society and Jonathan Swift's Gulliver's Travels

1247 words - 5 pages English Society Exposed in Gulliver's Travels                In Gulliver's Travels, Swift takes us to many places that serve as a looking glass for the foibles of English society, but none of the places are as severe a censure of men as Houyhnhnmland. Here Swift has made a clear division of pure reason, embodied in the Houyhnhnms (maybe he was refering to "horse sense"), and raw passion, embodied in the Yahoos (which are "coincidentally"...

Term "Paper on Gulliver's Travels" Jonathan Swift's

1343 words - 5 pages Many of the critics who have critiqued Jonathan Swift's Gulliver's Travels have used the word extraneous more then once. Swift was viewed as an insane person who was a failure in life. But this is far from the truth. Swift wrote Gulliver's Travels, a book that has been assigned to students for years, and it is written from experience. Swift's experience with the Tories and their conflicts with the Whigs caused him to write books that mock...

Voltaire's "Candide" and Jonathan Swift's "Gulliver's Travels": vehicles for satire

781 words - 3 pages Throughout Voltaire's Candide and Jonathan Swift's Gulliver's Travels, the main characters...

The Enduring Wisdom in Jonathan Swift's Gulliver's Travels and Alexander Pope's An Essay on Man

1742 words - 7 pages The Enduring Wisdom in Jonathan Swift's Gulliver's Travels and Alexander Pope's An Essay on Man If learned men of a past era came to this present age of technological advance, modern man might be surprised at the observations these humans of yesterday would make. Over three centuries ago, two such men -- Jonathan Swift and Alexander Pope -- made observations concerning their own time which have interesting insights to today's world. One...

Satire in Jonathan Swift´s Gulliver's Travels

2236 words - 9 pages In the early eighteenth-century, Irish writer Jonathan Swift produced one of the most printed novels known to date. The novel, Gulliver’s Travels, not only received recognition for being reprinted an immense amount of time, but also for the satire found within the novel. Swift intended his novel to be used as a scapegoat in which he would reveal his opinion on the English society. Swift was able to demonstrate this satire through the four part...

Jonathan Swift - Gulliver's Travels Too Good to be True: Interpretation of Swift's Idealism and the Houyhnhms

1381 words - 6 pages This paper deals with the depiction of my conception of Swift’s idealism in the 4th part of the Gulliver's Travels (A Voyage to the Country of the Houyhnhnms) concerning Gulliver’s confrontation with the social and political structure of the Houhnhnms and subsequently his expulsion. This portrayal is then dismantled, analyzed and a certain...

Use of Satirical Techniques in Swift's Gulliver's Travels

1231 words - 5 pages Use of Satirical Techniques in Swift's Gulliver's Travels Swift is a master of satirical writing, and his use of satirical technique in Gulliver's Travels is of a deep and intense nature. In each mysterious island he visits, there is a subtle attack on European nature, and the way the people of his time lived and acted. Gulliver's Travels was written to expose and open up the cracks in the society of his time. Each...

INDIVIDUALITY. A review/commentary of "Gulliver's Travels" by Jonathan Swift

1894 words - 8 pages A group is defined as a number of individual parts gathered together and considered as a whole: multitudinous stars considered as a galaxy. The interaction between a group and its parts is intricate: the position of each star slightly affects the movement and spin of the galaxy, and the placement of the rest of the galaxy drastically affects each star. Unraveling the causal relationships here may seem a daunting task. After studying the...

Gulliver's Travels: Swift's Opinions Of The English

958 words - 4 pages After being washed ashore and then falling asleep, Lemuel Gulliver awakens to find himself tied firmly to the ground. In confusion, Gulliver hears noises and feels an object move about on his chest. He looks down and accounts, "I perceived it to be a human creature not six inches high, with a bow and an arrow in his hands and a quiver at his back" (6).      Imaginative stories, such as the one with the small human creature, are parts of the...

The Possibilities of Utopias in Gulliver's Travels by Jonathan Swift

734 words - 3 pages The idea of the perfect and model state has existed since the beginning of civilization. In Jonathon Swift’s satirical novel Gulliver’s Travels, Gulliver travels to remote lands and is keen on analyzing and investigating the possibility of utopias. There are noticeable instances of utopias in Gulliver’s Travels; such is symbolized by the Houyhnhnms and the Lilliputians. However, most of these states could not be logically achievable in Swifts’...

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